<\/div>\n\n\n\n
REFERENCES<\/strong><\/p>\n\n\n\nAbbas, M. A. Hong Kong: Culture and the Politics of Disappearance<\/em>. Minneapolis: University of Minnesota Press, 1997.<\/p>\n\n\n\nBusch, Akiko. How to Disappear: Notes on Invisibility in a Time of Transparency<\/em>. New York: Penguin Books, 2020.<\/p>\n\n\n\nDufourmantelle, Anne, and Lindsay Turner. In Defense of Secrets<\/em>. Fordham University Press, 2021.<\/p>\n\n\n\nGrossberg, Lawrence. Cultural Studies in the Future Tense<\/em>. Durham: Duke University Press, 2010.<\/p>\n\n\n\nHan, Byung-Chul, and Erik Butler. The Transparency Society<\/em>. Stanford, CA: Stanford University Press, 2015.<\/p>\n\n\n\nMalabou, Catherine. What Should we Do with our Brain?<\/em> Fordham University Press, 2008.<\/p>\n\n\n\nMurray, Amy Jo, and Kevin Durrheim, eds. Qualitative Studies of Silence: The Unsaid as Social Action<\/em>. Cambridge University Press, 2021.<\/p>\n\n\n\nPang, Laikwan. The Appearing Demos: Hong Kong during and after the Umbrella Movement<\/em>. Ann Arbor: University of Michigan Press, 2020.<\/p>\n\n\n\nShek, Ki Chau. Is the Appearing Demos Adequate? \u2013 A commentary on Appearing Demos<\/em><\/a>. Zihua, 2020.<\/p>\n\n\n\nYao, Xine. Disaffected: The Cultural Politics of Unfeeling in Nineteenth-Century America<\/em>. Durham: Duke University Press, 2021.<\/p>\n","protected":false},"excerpt":{"rendered":"\u3010by Cho-kiu LI, Dec. 2021\u3011The song Don\u2019t find what you dropped (\u8dcc\u5622\u5514\u597d\u6435) has been trending on YouTube in Hong Kong over the past two months by the end of 2021. The music video was …<\/p>\n","protected":false},"author":1,"featured_media":623,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"yoast_head":"\n
Disaffection in a Special Affective Region | Cho-kiu LI - Critical Asia Archives<\/title>\n \n \n \n \n \n \n \n \n \n \n \n\t \n\t \n\t \n \n \n \n\t \n\t \n\t \n